幻梦重线免费在线观看-Mobilisierung der Träume迅雷高清下载

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《幻梦重线》/原名:《Mobilisierung der Träume》/又名:《Dreams Rewired》,上映日期：2015-01-25(鹿特丹国际电影节) / 2015-02(德国), 影片以如今通讯四通八达的时代为起点，回溯到一个世纪之前，电话、电影与电视仍在襁褓之时。和当下的社交媒体相同，这些早期的电子媒介掀起一阵波澜，让公众开始狂热幻想一种乌托邦的存在——人们沟通无障碍、距离不再是问题，世界永归和平。但两个时代也面对同样的困境：人们开始被恐慌支配，害怕个人隐私、安全性被侵犯，道德底线被僭越。影片收录了200多部影片罕见、甚至是未见过天日的档案影像，借古喻今，完成历史未尽的夙愿，规避黑暗漩涡。 'Every age thinks it's the modern age...' - but this one, a time of always-on connectivity, ubiquitous computing, and the acceleration of everything, really is new. No longer even modern, we are allegedly postmodern, post-industrial, and hurtling towards the post-human. With its profusion of desire and superabundance of information, our age couldn't be more different... DREAMS REWIRED offers another perspective. A montage of films from the 1880s to the 1930s, many rare and previously unscreened, it traces contemporary appetites and anxieties back to the birth of the telephone, television and cinema. Its claim: that the social convulsions of today's hyper-mediated world were already prefigured over 100 years ago, during the electric media boom of the late 19th century. Early electric media were as revolutionary as social media are now. They sparked a fervent utopianism in the public imagination; promising total communication, the annihilation of distance, an end to war. The technologies were to serve everyone, not just the elites. Through strengthening human relationships, increasing efficiency, and predicting the future, it would become possible to build a new world for all to share. But what these media initially promised, and what they eventually delivered was very different. The early radical openness was disciplined and regulated, and two-way, peer-to-peer communication gave way to hierarchical broadcasting. And the fears that had accompanied the hopes - fears of the erosion of privacy, of ubiquitous surveillance, of financial exposure and moral hazard - began to appear well-founded. DREAMS REWIRED is an assemblage of clips from nearly 200 films, ranging from the earliest dramatic works to music hall slapstick, newsreels, marketing materials, recordings of scientific experiments, and artistic adventures with film as medium. Through years of research in archives around the world, the directors have unearthed material that is by turns hilarious, revelatory, aesthetically striking, and astonishingly prescient. This footage is spliced together with a commentary on our contemporary predicament (voiced by Tilda Swinton) that, rather than plunging the audience into the past, pulls the historical material into the present. By forging an identification between contemporary viewers and their idealistic peers from 100 years ago, DREAMS REWIRED suggests a path of positive action towards a 21st century conception of openness.《幻梦重线》百度云网盘资源以及《幻梦重线》高清mp4迅雷下载，《幻梦重线》BT下载，希望您能喜欢！

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鄙伶 2019-09-21

4.5

温温 2018-08-01

各种影像的蒙太奇拼贴，认出来一个吸血鬼。

瓜子酱 2018-07-31

行走的媒介史

野野 2018-07-31

行走的电影史

两分半 2018-07-26

欧洲电影史

三门拾木 2018-07-26

First12th 15#因为一些缘故落掉了开头，后面看到的部分还都挺精彩，就是太催眠了（x）讲了一个老生常谈的事实，剪辑表现与案例引用都有一定惊喜，显得整部片子极具趣味性

[已注销] 2018-07-25

技术进步，容纳更多社会文化。用电影片段和电影史讲述了全球化进程。

锐利修蕊 2018-07-25

剪辑很厉害，把从工业文明到电气时代，再到未来科技的总体信息浏览一遍，再配以电影的“实例”进行论述，不是为了阐释某种观点，更像是带领观众进行一次影音头脑大爆炸，“人类是因为耐不住寂寞和愚蠢懒惰，才进行文明的创新。”蒂尔达女神配音解说酥炸！尤其是给那些经典电影片段拟对白2333333

ShihHsiung_Ni 2018-07-25

导演只是做了收集素材和组织素材的工作，用大部分来自上个世纪甚至更老的素材警示的是这个世纪的人，"这样发展能有什么好处""我们不能一直靠着运气一直这么发展""今天他们在我们口袋里，明天在我们身体里"那后天呢？还看到了很多以前没有实现的，即使在现在看来仍很黑科技的奇思妙想。蒂尔达·斯文顿戏太多了。

甲乙丙 2018-07-25

纪录片的主题本身是老生常谈。片子难得的是融入了大量的默片史料，运用相当棒的剪辑，艺术动画以及旁白穿插在由技术串成的叙述线中，成就了真正的幻梦。

嗜睡者 2018-07-25

老生常谈的东西，挺没劲的，亮点就是那些过去的影像吧

W 2018-07-25

费了半天劲讲了个大家都懂的道理。不知意义何在。

谋杀游戏机 2018-07-23

导演要表达的很多，技术的进步，人与人建立沟通的渴望，留声机、电影、电话、电视等介质对人类文明的影响——由于距离缩进甚至引发世界大战，信息时代的不安全感带来新的恐慌...比较宝贵的地方是收录了200多部资料老片，有的甚至首次披露，能看出早期默片是蛮有魔术般想象力的。不过我还是看得有点困...

鸡头井。 2018-07-22

对未来感的追求，从人类有想象力的年代就已经开始。旧影像组成的精美电影论文。

Hownán 2018-07-22

视听媒介的演化，左派视角，和电影平起平坐的电视。180722@西宁

依西比 2017-11-09

在魏玛的第二部影院片 monami十月革命百年纪念周 Tode导演讲解答疑如果我会德语该多好片源和剪辑都太棒了 Television HumanZoo 德国奥运会转播梦幻邪恶美丽的毒药旧梦配合连续熬夜完全精神鸦片不知道百年以后人们怎么看这个时代的梦想。Every age thinks it's modern age, but this one really is.

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