《往后街去:中上健次所遗忘的菲林映像》/原名:《路地へ 中上健次の残したフィルム》/又名:《往后街去:中上健次所遗忘的菲林映像(港) / To the Backstreet: The Films Kenji Nakagami Left Out》,编剧:青山真治,上映日期:2001-08-11(日本),A fictionalized documentary on Japanese writer Nakagami Kenji, who died young in 1992. Nakagami was the chronicler of the seaside town of Shingu. Many of Nakagami's stories are set in a specific alley in Shingu, an alley that has now gone, but that lives on in the fiction of Nakagami. And also on celluloid, because the writer filmed the alley before its demolition. Filmmaker Iz...Kenji Nakagami one of the most notable Japanese writers of the post-war died in 1992. Is work reveals a strong connection to is homeland, Kishu: a mountainous region which connects to the pacific ocean trough a river. "To The Alley" (alternative title) is a documentary about Kenji's life. Recurring to 16 mm images from the writer's personal archive and adding new footages the director Aoyama travels trough the paths of the life and art of the Japanese writer.《往后街去:中上健次所遗忘的菲林映像》百度云网盘资源以及《往后街去:中上健次所遗忘的菲林映像》高清mp4迅雷下载,《往后街去:中上健次所遗忘的菲林映像》BT下载,希望您能喜欢!
在路上的实验影像。
游魂。
气质卓越,看完很是想读中上健次的小说,也许比那些改编的电影还要好看。
16mm游車河空鏡頭紀錄,美不勝收車窗外景。中上健次,不曾熟悉;《千年的愉樂》只因故人若松孝二而知曉。要麼預熱,要麼交匯。不管怎麼樣,映像深深地打動了我(儘管向來不喜歡青山真治)。片末坂本龍一《未來派野郎》之「Parolibre」太動聽。PS:殘缺英字出自Linda Hoaglund(Art ×ANPO的導演)之手
英字不给力